“Marvel has finally returned with limited seriesu00a0WandaVision, kicking off the beginning of its Phase 4 slate.u00a0. It is the studiou2019s first foray into delivering some original programming to Disney+ with the first two episodes of the series premiering to the streaming platform on Friday, January 15. Critics had an almost unanimous opinion in their praise of the cast, especially the chemistry between Elizabeth Olsenu2019s Wanda and Paul Bettanyu2019s Vision, reprising their roles from the MCU. Here are the reviews from the celebrity critics:u00a0. Rohan Nahaar from Hindustan Times wrote, u201cEvery episode pays homage to a particular decade in television history. So if the first three episodes tip their hat to shows such as I Love Lucy and I Dream of Jeannie, future episodes will presumably track the evolution of TV sitcoms right up to Friends and The Office.u201d. Daniel Fienberg from The Hollywood Reporter said: u201cEven with its slow-building sense of menace, WandaVision has more in common with a meta-sitcom like Get a Life or That’s My Bush u2014 half-hours built around tweaking the conventions of the format u2014 than a comic book show.u201du00a0nAlso Read: Marvel superheroes return… in quirky black-and-white sitcom. He added, u201c It’s like Marvel’s Too Many Cooks, in reference to the 2014 viral short in which the credits for an ultra-sunny TGIF-style sitcom begin to fold in on themselves and become a postmodern nightmare. Did I find this delightful? Often! Is there a core demo this will flummox? To be sure!u201du00a0nu00a0. Michael Phillips from the Chicago Tribune wrote: u201cWandaVision director Matt Shakman and head writer Jac Schaeffer go whole hog with the TV sitcom tropes, to the point of utilizing a laugh track in some cases, a live studio audience for the premiere and an aura of strained unreality throughout. u201du00a0. He continued, u201cItu2019s theoretically fascinating and, in practice, as one-third of a first season, strained in the extreme. Live or canned, the laughter all sounds canned and deadly, and it practically suffocates all three of the initial episodes. Bettany and Olsen have their charms, but their comic ease is AWOL, and the banter and interplay is never truly funny, or funny/scary, or funny/ironic, or ironic/scary/funny. Itu2019s a premise stretched, like gum, across three episodes that shouldu2019ve been two, or even one.u201du00a0nWe are excited to see further episodes and how the plot turns out.u00a0nTell us if you liked it in the comment section below!u00a0n#Hollywood #MarvelComics #USAu00a0.”